Words upon words upon words upon
Rain. Soaking through trees and tar,
grimy cars and construction sites where
cement and sand swirl in an endless vortex,
the evening rises like smoke around my arms
and droplets the size of my fist thunder past traffic.
I taste you like a metaphor on my tongue,
Feel the dust of you on my skin.
The shadow of a city, the bruise of a life,
the thump-thumping of nostalgia against
closed doors and the carnival of memory.
In my hair, I wrapped my childhood. In my
arms, I wrapped you. In my trunks, I tucked
letters and rocks and tokens and broken nights,
catching snippets of song in butterfly nets and
hanging them over my bed. I watched your voice
as you slept. I watched myself sleep.
If all I have are fragments,
I won't be ashamed of them. I will find
stories to tie them up in, plot lines that
flutter and attempt to escape me.
search this blog
28 March 2015
23 March 2015
Mountain stream
I can taste silver sand in my mouth,
feel the shiver numbness of icy water.
There is so much to say, heaps and heaps
of broken images against harsh sun, memory
of Eliot and cracked sky turning orange.
My hair smells like loneliness and smoke,
despite the gushing truth of water against feet.
What do I search for?
feel the shiver numbness of icy water.
There is so much to say, heaps and heaps
of broken images against harsh sun, memory
of Eliot and cracked sky turning orange.
My hair smells like loneliness and smoke,
despite the gushing truth of water against feet.
What do I search for?
27 February 2015
Ache
It's an existential ache more than an angst.
Not quite a crisis or a culmination,
more like a winter morning
when you crane your head out the window,
watching drizzle turn to mist before it swallows
the sun whole - but the ticking clock
still tells you
it's only the start.
If a day is a journey then
I need to find a better map -
I'm strolling in circles and getting lost,
hiding the world in the bags under my eyes.
If a day is a progression then
why are mine so circular, how can I ever
find meaning in this neurotic carnival where
I'm strapped to the chair of the ferris wheel and
morning always leads to night no matter where
I look; and nothing matters, that's the problem.
Nothing matters.
If no (wo)man is an island then
I need to stop burning bridges and boats -
perhaps I can't escape
anyway
and
my collarbones will smell of sun
and not smoke. Maybe wo(man) is
a desert of thirst. Maybe there are no oceans
here - only mirages and the occasional
oasis, desire mixing with memory
until you can almost hear the bluebird
but
my throat is still parched.
Spring hasn't reached where I am yet;
I'll be patient. Winter fog still settles
in my bones, and the countries of my body
give birth to no flowers, dance in the moonlight
with no thundering rainstorm. It's cold
and quiet. It's quiet. I could
sleep for months. I could sleep.
23 February 2015
Damn this cement and concrete
Do you know what it's like
to be woken by birdsong and golden sun?
I miss walking down
paths of a forest I was deliriously
in love with. Mapping the soil under
my sandals and the sun on my hair,
tracing the veins of red leaves on my
downy arms and telling myself
this is how life ought to be lived.
I'm so far from my forest.
From my birdsong and shaded paths,
folk songs and moonlit night walks.
I never want to forget
what true joy feels like.
As though all of life wants to rejoice,
all at once, in my belly. My smile goes
beyond me, and I can't hold it in any more.
The sun is setting against horizon of Gulmohurs
and orange petals are falling at my feet
and I just walked
to the mossy well and waved
to the turtles,
and climbed a tree and sang to the sky,
wove a blanket of golden sun and slept on a roof;
I never want to forget the feeling of rock
under bare feet and rain against bare face,
the sound of wind thundering through trees
and tousling back hair, I never want to forget.
Damn this cement and concrete,
The artificial flower beds and manicured lawns.
Damn the glass windows and clean white walls.
Damn me if I ever get used to this life.
22 February 2015
Exhale
Mist settles on the lamp-lit streets,
stretching across my arms like a moan.
The horizon trembles in an effort to stay whole.
Poetry writes itself on the cobblestones.
Open the blinds to the sun-clear day, wait
for dusk to streak the sky gold, then wait
for grey. Rain rings in my ears. Cold grief
and shiver. I forget,
and I scrape memory off my skin
like a frozen ocean. A fractured dream.
Inhale first. You know how.
And again.
Breathe out, slow as a movie, into the night
choked with fog. The smoke rises, curls around
my face until I can't recognize myself anymore.
The sound of exhale. The fear of forget. The life of a life.
stretching across my arms like a moan.
The horizon trembles in an effort to stay whole.
Poetry writes itself on the cobblestones.
Open the blinds to the sun-clear day, wait
for dusk to streak the sky gold, then wait
for grey. Rain rings in my ears. Cold grief
and shiver. I forget,
and I scrape memory off my skin
like a frozen ocean. A fractured dream.
Inhale first. You know how.
And again.
Breathe out, slow as a movie, into the night
choked with fog. The smoke rises, curls around
my face until I can't recognize myself anymore.
The sound of exhale. The fear of forget. The life of a life.
All of me
If you ask me what I'm learning in college I just realized I can tell you in a single line:
to live with contradictions (both yours and mine).
I can sniff them out like a dog at an airport now -
in literature class when the dust starts to settle
just shake it up.
There's no black and white.
No right and wrong.
Every duality has a hundred hidden shades
behind the image of itself -
and I
I understand
I'll get an A in the damn essay
but my god
what if it all ends and the books are put back in the shelf
and I still don't know how to live my life
because I'm learning -
I'm learning damn well how to live with your contradictions,
I can forgive, I can see the hundred masks behind a single face,
and I tell myself I'll be okay, be okay,
but what if I can't forgive the contradictions in myself?
What if I know I shouldn't and yet I must
box everything in neat categories
and weep about what doesn't fit?
What if I don't understand why I don't fall in love -
or I do, a hundred times, hold it to my chest as if I'm drowning,
and then let it go - to the wind - like a hundred hidden birds -
as if I swallowed all the water and painted a face on the newborn sun
and everything is blossom and bud, freedom and forgetfulness,
there's no need for a lifeboat, there's no need for you
just me
all of me - but -
can you forgive me for that?
Can I?
to live with contradictions (both yours and mine).
I can sniff them out like a dog at an airport now -
in literature class when the dust starts to settle
just shake it up.
There's no black and white.
No right and wrong.
Every duality has a hundred hidden shades
behind the image of itself -
and I
I understand
I'll get an A in the damn essay
but my god
what if it all ends and the books are put back in the shelf
and I still don't know how to live my life
because I'm learning -
I'm learning damn well how to live with your contradictions,
I can forgive, I can see the hundred masks behind a single face,
and I tell myself I'll be okay, be okay,
but what if I can't forgive the contradictions in myself?
What if I know I shouldn't and yet I must
box everything in neat categories
and weep about what doesn't fit?
What if I don't understand why I don't fall in love -
or I do, a hundred times, hold it to my chest as if I'm drowning,
and then let it go - to the wind - like a hundred hidden birds -
as if I swallowed all the water and painted a face on the newborn sun
and everything is blossom and bud, freedom and forgetfulness,
there's no need for a lifeboat, there's no need for you
just me
all of me - but -
can you forgive me for that?
Can I?
5 February 2015
Winter sun
Everything breaks through into blossom
by 2pm, a single shade of sunkissed afternoon.
My skin shines like marble, smells of flowers.
There's nothing as hopeful
as winter sun
nothing as truthful.
A sheer cloak, pale gold
over the trees
over your particular midday smile
and my hair.
Everything is clear and bright
and things that don't make sense
don't matter
the horizon has never been so clear
I can count the leaves on trees
I can shrug off the weight of winter
of cold grief and shiver
everything breaks through into blossom
and you can really live this day
by 2pm
but then it ends all too soon
wintergrey and ice
shiver comes to rest
darkness against sky
and lost birds.
by 2pm, a single shade of sunkissed afternoon.
My skin shines like marble, smells of flowers.
There's nothing as hopeful
as winter sun
nothing as truthful.
A sheer cloak, pale gold
over the trees
over your particular midday smile
and my hair.
Everything is clear and bright
and things that don't make sense
don't matter
the horizon has never been so clear
I can count the leaves on trees
I can shrug off the weight of winter
of cold grief and shiver
everything breaks through into blossom
and you can really live this day
by 2pm
but then it ends all too soon
wintergrey and ice
shiver comes to rest
darkness against sky
and lost birds.
27 January 2015
Pretext
At thirteen,
My changing needs made me afraid.
I rebelled, cropped my hair
close to boyish face, and
stole my father's t-shirts.
I was suspicious of breasts,
waited desperately for a spot on
plain white panties. Anything
for surety. Either here or there,
as long as it wasn't neither.
With time, I took pride
in long brown arms and legs.
Mother's thin shirts and denim shorts,
hair falling across the sunburnt plains
of shoulders and neck. Afraid of beauty,
and desirous of it at the same time,
cautious and greedy, young, mid-flight.
What does it mean
to have a nose the right size?
Curls of gold and clipped brows
placed ceremoniously upon forehead
of bronze, lips carved from the essence
of cherries and wine, sunset and blood?
Helen wasn't a character
simply a pretext.
Troy and Sparta, loss and gain -
the world before her was a lie.
Long shapely legs cannot rise above
the white veils we cast on ourselves.
Nobody knows whether Helen wanted to leave.
Perhaps she was a poet, a dancer, a lesbian, an ocean.
It didn't matter.
My changing needs made me afraid.
I rebelled, cropped my hair
close to boyish face, and
stole my father's t-shirts.
I was suspicious of breasts,
waited desperately for a spot on
plain white panties. Anything
for surety. Either here or there,
as long as it wasn't neither.
With time, I took pride
in long brown arms and legs.
Mother's thin shirts and denim shorts,
hair falling across the sunburnt plains
of shoulders and neck. Afraid of beauty,
and desirous of it at the same time,
cautious and greedy, young, mid-flight.
What does it mean
to have a nose the right size?
Curls of gold and clipped brows
placed ceremoniously upon forehead
of bronze, lips carved from the essence
of cherries and wine, sunset and blood?
Helen wasn't a character
simply a pretext.
Troy and Sparta, loss and gain -
the world before her was a lie.
Long shapely legs cannot rise above
the white veils we cast on ourselves.
Nobody knows whether Helen wanted to leave.
Perhaps she was a poet, a dancer, a lesbian, an ocean.
It didn't matter.
31 December 2014
What I Want to Tell You
You are the greatest poem I could have
found.
You are a sunset bathed in purple, a
prayer of longing across the sky.
You are the sound of rain against my window,
and I’m afraid you forget it.
Here’s what I want to tell you: I know
you’re afraid.
I know you’re wading through the solid
chaos of a life,
Impatient and unsure, blundering through
darkness,
And I know you’re disillusioned, and I
know you hate it.
Baby, that’s all of us.
What I want you to know, really, is that
it doesn’t get better.
Life is always going to be callous, and
strange, and so unbearably short,
And so terribly long. And what I want to
tell you,
Is that we’ve got one chance at this. A single
shot,
And that should scare me, but it doesn’t
anymore. It gives me goosebumps.
It excites me, and I want it to excite
you. We’ve got one shot to live this.
There’s very little formula to it,
actually.
All you can do is wake up in the morning
and go to bed at night,
Drink chai on crisp winter days, buy new
shoes when they wear out.
But I want you to be content, not with
washed-out days and tentative nights,
I want you never to postpone a date or
sleep through a meteor shower,
Numb yourself to pain or think of taxes.
You’ll be fine.
I want you to watch the stars even when
you need to rush,
Sleep in on a Monday after watching a
Sunday sunrise, always
Get wet in the rain. Be a desert of
thirst. Always ask for more.
I know you’re afraid, and I want you to be
okay with that. I want you
To fall in love a hundred times (even if
it’s not always with me),
And I want you to fail, at least at
ninety-nine of those. I want you
To have the courage to let yourself hurt.
I want you to talk to the moon when you’re
alone. To never take beauty for granted.
To laugh at yourself, every day, and yet
be goddamn proud of yourself.
I want you to be as kind as you are, but I
want you to watch out for yourself, man.
It’s okay to screw up. It’s okay to get
lost, to spend a day in traffic,
To have made a mistake. Forgive yourself.
I want you always to forgive yourself.
It’s okay, as long as you take life by the collar, and promise me to live the hell out of it.
I want you to feel this in the small of
your back, rising up your spine
Like truth. Like a winter chill, or like
joy.
I want to tell you more than a flimsy
paper can hold,
More than a midnight conversation can
possibly balance in itself.
I want you to be responsible and sensitive
and have the balls to walk alone
If everybody who walks around you is an
asshole. I want you to do the right thing
Even when it’s the toughest thing to do. I
want you to smile at strangers.
I want you to go on a thousand road trips,
to have a thousand sleepless nights.
I want you to get drunk even when you have
a job interview the next day,
And I want you to shrug your shoulders if
you break your phone. I want you
To know what’s important, to love people
even when they’re broken and lost,
To love yourself. I want you to get lost
in a forest, to read under a streetlight,
And get on a train without knowing where
the hell it goes. I want you to feel
Like you’ve made something of yourself.
Like you’ve grown, like you have
An ocean-full of memories for every drop
that you’ve decided to live through.
Rumi once told me, with shining eyes, to
let the beauty I love be what I do.
Damn right I will, man. And that’s all I
wish for you too.
I want to tell you to defy all the pain in
the world.
Screw history. Screw philosophy. Screw
law. And screw your fears.
For god’s sake, be happy. Live the hell
out of this life.
11 December 2014
A little void.
I’m afraid I don't have the right words
anymore.
I feel it all so fully, so intensely, with
every pore of myself. Every moment that passes me by, I reach out with
stretched fingertip, aching to trace its veins, its rivers, its endless blue
sky.
Oh, cruel irony, that forces me on.
Oh, helplessness settled at the nape of my neck.
Oh, helplessness settled at the nape of my neck.
I want to have the right words.
I want to hold on. I want to know I am living well.
I want to hold on. I want to know I am living well.
I am afraid to know the truth. I am afraid
to die.
I am afraid to live.
I’m a little lost, and I've been here
before, and I will be here again. I know it is alright, because I have been submerged
before, and I have risen every time, hair thrown back with salty spray and
dripping face panting at the sun. I manage to make myself proud, day after day,
even when I think I will not be able to. The world makes me proud. The sky is a
reason I have for going on. Red leaves on a winter afternoon. I live for little
stories, round stones, dog-eared books and smiles. I search for beauty, and it
sustains me.
I’m afraid of someday not swimming back
up. I’m afraid of the quicksand at the bottom of the ocean, the helplessness
that can escape from deep corners of myself to fill up the seas and skies, the
space and the voids.
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