to walk through
this world with
my chest peeled
lavender swirls
in the darkening ocean light
and within them, my body
soon to be another year older
its textures so oddly mine
even when afloat in neon dusk waves
lapped by stranger seaweed trails
capricorn szn has been shaking me awake
like snowflake darts on my small bare face
i am learning i will always
fall in love again, i will
always learn how to
write a poem again, i will work
i will tire, i will rest, i will work
i will carry this body to the ocean
cartwheel on the sand
hold my lover's hand
on the ride back home the little pink flowers
glow under streetlights, the bar doors are bright,
the moon is the fattest droplet of silver
stuck to the black spoonful of sky
turns out the trick is to remain
bullheaded about beauty
& brave about love
despite all contrary evidence
welcome, words. sometimes when they start bubbling inside of me before i even sit, i know it's going to be good.
often these days i have been lucky enough to enter a space of flow with relative ease, just sitting down with the work and the work curling fingers towards me, tangling me inside, tangling and tangling until i realise some invisible knot has been loosened, i know something new of the world, of my work, of my body-mind and of the words.
for some weeks now my nose has been bleeding. nothing heavy, just little clots of blood when i pick at it, sometimes a drop of wet red on my fingertip. it must be the dryness, cracking the landscape of my skin, leaving me khurdura on my elbows, the backs of my arms, my outer thighs and hips. today the soft chamber at the beginning of my throat is feeling tender, each swallow tasting sickly, breath becoming sticky. i work hard at myself when i can, drinking adrak chai slowly, rubbing coconut oil with lemongrass essence all over my freshly-bathed outsides, dabbing some oil in my nostrils so i stop wiping dried blood on my sheets.
as far as i can figure the mountain pose from my yoga videos, it is about standing straight, straight, feet hip length apart but firmly rooted, thighs reaching upward gently, hands open at your side, shoulders low but pulled back like little wings spreading, head facing forward, so sturdy atop this geometry. it is mostly like standing, except doing it with grace, a grace the human body tends to forget when the mind is beeping and scrolling and marching.
mostly these days i am feeling like a body. a body aching or glad, dancing freer than ever before on certain bluish nights. when i talk or play or do it is mostly in relation to everybody around me: i am the self that fits like a jigsaw here, flowing with ease between my mama's arms and the other rooms, making my grandparents laugh and hold my hand with their calloused palms, teasing my sister and pa, giggling helplessly with Susan Didi's beautiful baby boy. sometimes i get on the phone with a friend and then i have to remember who i am, how my hours are passing, and that feels hard, and so i often don't do it.
and the rest? all work. when i can't do it my body mopes, i watch tv and eat late lunch with my sister, i bathe for an hour with my tea in the bathroom, and prepare myself for when the work comes. i must fulfill obligations and also do homework, submit workshop letters, be a good student. i'm being a good student of my self, finally a good student of derrida, always a good student of my mama's stories. the theory i read feels like jibberish when i'm tired, but when i'm open and ready it pours over me like something sacred, allows me new meanings, gives me joy like a large object strangely weightless and invisible in my arms. and then the way paint glides on paper, releases pigment into water, settles new shadows into the world. and then the words i can make, tak tak tak, just one upon the next. it makes me smile like a child when somebody passes the room.
who is this person with paint on her nails
this matte mahogany or merlot or maroon
making these hands look older than they have
before, the darknesses and lines made
visible by colour, a sudden flash of personality
when i scratch my hip or tie my shoes
how many years i spent trying
to keep my self intact now look
my toenails are this greyish lavender, pale
as early hillside flowers, wooly like fog
who is this woman with colour
at her limbs look how she shines & shatters